the sense of style review

E.B. BoulderShop. Find Sense of Style Ltd in Darlington, DL3. Still yet another term for it might be a lack of empathy, of failing to imagine what your reader knows and doesn’t know and instead “falling back on parochial jargon and private abstractions.”, But here I am committing one of Pinker’s sins. Read 7 reviews, get contact details, photos, opening times and map directions. The owner, Jeremy, is always there & she is a wonderful person. Usually, it’s sufficient to say it once and plainly. Others may smart at a low-grade pretentiousness that mistakes variety or verbosity for creativity. Sense of Style - 3392 Hillcrest Rd, Dubuque, Iowa 52002 - Rated 4.8 based on 20 Reviews "I love the ladies at this Salon. It’s possible that he doesn’t want to scare his readers off by coming on like one of those old-fashioned literary drill sergeants — Henry Watson Fowler, say, the author of the cranky and at times harebrained “Dictionary of Modern English Usage.” Or it may be that for Pinker, writing really isn’t a chore, which is why he can, maddeningly and seemingly without effort, turn out a smart, mostly sensible book about something that isn’t even his field. The title, “The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century,” suggests it’s even meant to supplant that classic text “The Elements of Style,” by Will … To those of us who try to write for a living and couldn’t pass a science course, let alone teach one, such people are a little annoying. Steven Pinker’s The Sense of Style (pic:mosiacscience.com) Words. He may underestimate a little how much deliberately bad writing there is, writing meant to confuse and obfuscate. Yet the refusal to look at literature as anything other than a knowledge-delivery system prevents The Sense of Style from transcending what it is: a solid guide to writing competently. He prefers to think of writing as something that can be pleasurably mastered, like cooking or photography. Despite Pinker’s obvious appreciation for good writing, his interest seems more utilitarian than aesthetic. Too many writers, he laments, are guilty of “a pernicious kind of synonymomania” — that is, redescribing the same thing in different terms, so that, for instance, a “book” in one paragraph becomes a “tome” in the next and a “volume” after that. When you first learn how to do it, writing is hard, and for some of us it never gets any easier. In the preface to an updated edition of CivilWarLand in Bad Decline, George Saunders complained about a similar phenomenon, which he called the “literary triple descriptor: ‘Todd sat at the black table, the ebony plane, the dark-hued bearer of various glasses and plates, whose white, disk-shaped, saucer-like presences mocking his futility, his impotence, his inability to act.’”. The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century by Steven Pinker Allen Lane Henry Hitchings Now that The Sense of Style exists, is there any need for my upcoming book? I was right, but instead of fashion, this book talks about a different kind of style that’s just as important for college girls (or, I would argue, anyone) – writing style… So encountering The Sense of Style was an unexpected delight. But there is not much room in Pinker’s linguistic imagination for art. A review of "The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century" by Steven Pinker. They’re intractable sometimes, and only loosely approximate the thoughts we want them to convey. The qualities that Pinker admires in classic prose — clarity, elegance, economy of style, vivid, precise imagery — describe any number of fiction writers, from Hemingway to Beckett to Hempel. He compliments his forebears as much as he points out their deficiencies. Analyzing a passage from a book of cosmology, he displays a profound, even spiritual, regard for the majesty and sheer improbability of being alive. The Harvard psychology professor is a rigorous thinker whose previous books, including The … Calm, judicious, reassuring, Pinker doesn’t dwell on the difficulty. So you feel good. Communication. As a linguist, Pinker inclines to descriptivism but … Recently, my co-supervisor Michael Jennions sent me a book that has alleviated these fears: The Sense of Style: The Thinking Peron’s Guide to Writing in the 21st Century, by Steven Pinker[1]. Other pieces of Pinkerian advice tend to be commonsensical: eliminate needless words; show your work to trusted readers; read your prose aloud to gauge style, pacing, and flow; avoid “the curse of knowledge.” This last bit might also be called the solipsism of expertise. My time at Sense of Style salon was so great. … In this era of undeclared wars and secret interpretations of law — a clandestine literary criticism with existential implications — we could use some Orwell to cut through the deception. The company's filing status is listed as Active and its File Number is 2861419.The company's principal address is … When you purchase an independently reviewed book through our site, we earn an affiliate commission. Despite some occasional missteps, The Sense of Style is full of valuable advice and is a welcome addition to the genre of writing guides. This versatility is key: one detects a populist air in Pinker’s argument, a sense that he wants everyone to learn how to write and think better. The company's filing status is listed as Active / In Good Standing and its File Number is 1154860200055. The Sense of Style, the new book by the neuroscientist and linguist Steven Pinker, is the latest blossoming of a perennial: the mid-career writer’s advice for writing well.From grammar guides … THE SENSE OF STYLE THE THINKING PERSON’S GUIDE TO WRITING IN THE 21ST CENTURY ... he’s blessed with common sense. Pinker doesn’t object to dangling modifiers on principle, but only when they lead to confusion or ambiguity; doesn’t see much distinction between “like” and “as”; and says that “between you and I” is “not a heinous error.” He’d just as soon not allow “disinterested” to mean uninterested, but he doesn’t mind “presently” used to mean now, not soon, or “hopefully” in the sense of “I hope.” In general he takes the view that if a phrase or construction sounds O.K., it probably is, and that many of the mistakes the purists get so worked up over — using “like” with a clause, for example — have been made for hundreds of years by writers like Shakespeare. … He means to take some of the anxiety out of writing, and when it comes to questions of grammar and usage, he’s a liberal, much looser and more easygoing than the copy editors at this newspaper, for example, whom he would dismiss as “purists.” At several points in “The Sense of Style,” Eleanor Gould, the legendary grammarian at The New Yorker, would have written in the margin, as she used to on proofs that particularly exasperated her, “Have we completely lost our mind?”. 5 out of 5 stars. 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